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COMPOSERS

A | B | C | D | E | F
G | H | I | J | K | L
M | N | O | P | R | S
T | U | V | W | Y | Z

A

ALBINONI
ALKAN
AGRICOLA
ALBÉNIZ
ARCADELT
ARENSKY
ARNE
ATTAIGNANT

B

BACH, C. P. E.
BACH, J. S.
BACH, W. F.
BALAKIREV
BARBER
BARTÓK
BASSANO
BAZZINI
BEETHOVEN
BELLINI
BERLIOZ
BERNSTEIN
BIZET
BLOW
BOLCOM
BOLLING
BORODIN
BRAHMS
BRITTEN
BRUCH
BRUCKNER
BUSONI
BUXTEHUDE
BYRD

C

CABANILLES
CAMPION
CAPIROLA
CASALS
CASTELLO
CERNOHORSKY
CERTON
CHABRIER
CHAMINADE
CHERUBINI
CHOPIN
CIMAROSA
CLEMENTI
COPLAND
CORELLI
COUPERIN
CRAMER
CROCE
CROFT
CZERNY

D

DE LA TORRE
DE MANCHICOURT
DE PERUSIO
DE VENTO
DEBUSSY
DELIUS
DELLO JOIO
DES PRES
DOHNÁNYI
DOWLAND
DUKAS
DUNSTABLE
DUPRÉ
DVORÁK

E

ELGAR
ENCINA
EPISCOPIUS
EWALD
EYCK

F

FABINI
FALLA
FARNABY
FASCH
FAUCETTE
FAURÉ
FESTA
FICHÉ
FORD
FRANCK
FROBERGER
FUX

G

GADE
GALLIARD
GALUPPI
GANNE
GASTOLDI
GENIN
GERSHWIN
GERVAISE
GIBBONS
GINASTERA
GIORDANNI
GIORGI
GIULIANI
GLINKA
GODOWSKY
GÓRECKI
GOTTSCHALK
GOUNOD
GRAINGER
GRANADOS
GRIEG
GRIFFES
GUILMANT
GUY-ROPARTZ

H

HANDEL
HASSLER
HAYDN, F. J.
HAYDN, J. M.
HELLER
HILTON
HINDEMITH
HOLBORNE
HOLST
HUBAY
HUMMEL

I

IBERT
IKEBE
IPPOLITOV-IVANOV
ISAAC
IVES

J

JANÁCEK

K

KABALEVSKY
KAPRALOVA
KAPUSTIN
KARG-ELERT
KENNEDY-FRASER
KHACHATURIAN
KISSIN
KODÁLY
KREUTZER
KUBELIK

L

LALO
LANGLAIS
LASSO
LAUB
LEMLIN
LIADOV
LISZT
LITOLFF
LOEWE
LULLY

M

MACDOWELL
MAHLER
MAINERIO
MALIPIERO
MANNEY
MARCELLO
MARPURG
MASSENET
MENDELSSOHN
MEYERBEER
MILHAUD
MILTON
MOLIQUE
MONRO
MONTEVERDI
MORLEY
MOSZKOWSKI
MOURET
MOZART
MUDARRA
MUSSORGSKY

N

NEDBAL
NEIDLINGER
NIELSEN

O

OFFENBACH
ONDŘIČEK
ORFF

P

PACHELBEL
PAGANINI
PALESTRINA
PARADIS
PARADISI
PASSEREAU
PATAVINO
PERGOLESI
PERRIN
PINKHAM
PLATTI
PLAYFORD
PONCHIELLI
POULENC
PRAETORIUS
PROKOFIEV
PUCCINI
PURCELL, E.
PURCELL

R

RACHMANINOV
RAFF
RAMEAU
RAMPOLINI
RAVEL
RAVENSCROFT
READ
REGER
REITER
RESPIGHI
RHEINBERGER
RICHTER
RIMSKY-KORSAKOV
ROSSINI
RUBINSTEIN

S

SAINT-SAËNS
SATIE
SCARLATTI
SCHEIDLER
SCHUBERT
SCHUMANN
SCOTT
SCRIABIN
SENFL
SERMISY
SHOSTAKOVICH
SIBELIUS
SINDLING
SMETANA
SOLAGE
SOLER
SOR
SOUSA
STRAUSS, J., Sr.
STRAUSS, R.
STRAVINSKY
SUK
SULLIVAN
SUPPÉ
SUSATO
SWANN

T

TALLIS
TÁRREGA
TCHAIKOVSKY
TELEMANN
THOMPSON
TOURNEMIRE
TUDOR

V

VAUGHAN WILLIAMS
VECCHI
VERDI
VIERNE
VILLA-LOBOS
VIVALDI

W

WAGNER
WARLOCK
WEBER
WEILL
WEISS
WHITE
WIDOR
WILLAERT

Y

YON

Z

ZACH
ZIPOLI

 

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MIDI files

What are MIDI files, how to make them sound better, and what is MIDI anyway?

MIDI (Musical Instrument Digital Interface) is the common language for electronic instruments (synthesizers, sound modules, samplers, drum machines, etc) and also computers.
This clever invention allows communicaton between MIDI capable devices. You can control one instrument from another, or record what you play to a sequencer.
These recorded sequences are called MIDI files. They only contain the notes, and performance instructions, but not the actual sounds.
The quality of MIDI playback largely depends on the quality of the tone generator (sound module, synthesizer, sound card, etc.) you use when listening to the files.
Most computers have some sort of built-in sound chips or sound cards, cheap speakers and a software synth, such as the Miscrosoft SW Synth. Unfortunately this basic setup will not give you the best results. Many people "hate MIDI" because they have necer tried to listen to the files using decent equipment.
There are so many MIDI files on the web, more than 10,000 on this site alone, so it's worth investing a few dollars to buy a general midi sound module, any used old Roland SoundCanvas module will make a big difference. They are still available on on eBay

Here's an example to check your current MIDI setup against a simple mp3 recording of the same file using an old SoundCanvas module: Another example of a more elaborate recording of a MIDI file by Steven Glenn, he used software synthesizers, and paid more attention to fine details:
If the above examples show a big difference between the quality of sounds in the MIDI vs. MP3 versions, then it's a good idea to consider upgrading your MIDI equipment.

Creating MIDI files

There are several ways to create MIDI files:
If you have the "chops", you can record your own performance in real time. Robert Finley who is an established classical pianist would be a good example for that.
George Pollen has the special talent and decades of experience as a musician, so he can do it by ear, just listen to a piece and write down the notes.
Most people enter the notes one-by-one from sheet music, and edit the piece to sound more realistic. You'll find some great tips and tutorials here from experts on the subject.

MIDI files for more than 16 parts (instruments)

Many orchestral MIDI files require 2 MIDI ports, 32 channels for proper playback. The average synthesizer, sound module or computer sound card can handle only 1 MIDI port, 16 channels. In order to listen to this piece you need either 2 synthesizers assigned to 2 different ports, or a Roland SoundCanvas series sound module, capable of playing 32 (or more) channels, like the Roland SC-88, SC-880, SC-8820, SC-8850, SC-D70, SD-20, SD-80, SD-90, etc.

All the above listed modules can play 32 MIDI channels, and have a decent set of General MIDI sounds. Unfortunately Roland, in its ultimate wisdom discontinued the line, so if you would like to buy one of them, it's off to ebay, new ones are no longer available. Pretty sad...

While most classical pieces can be arranged for 16 channels or fewer, romantic and modern composers may use very rich and colorful orchestrations, stretching the limit of standard MIDI. Fortunately we can always add more and better synthesizers to increase the number of instruments in our MIDI orchestra. Remember, MIDI files don't contain any sounds, only the performance, so what you hear is actually your synth. If you think MIDI doesn't sound good enough, maybe all you need is a better soundcard or synth. I've collected all kinds of synthesizers over the years, and they are great for generating unique sounds, but I use my Roland SoundCanvas SC-880 when I listen to classical MIDI files.

MIDI files and polyphony

Polyphony (the number of notes played simultaneously) is also very important. Most orchestral pieces may use 64 or even more notes, so they will only sound good if your MIDI equipment is capable of producing the required polyphony. The above listed sound modules will do fine in that department. You can also use Software Synthesizers to increase polyphony and to improve sound quality.

MIDI Software

Using better software will improve quality, and provide many options. The MIDI plug-in or media player not the best for classical files. There are many MIDI sequencer programs available, with lots of useful options. You can not only listen to the files, but also look at the sheet music, and print it if you'd like, you can edit the files in many ways, change the tempo, switch instruments, repair any bad notes, add some effects, etc. A MIDI sequencer program will allow you to create your own files as well. I use Cakewalk Pro sequencer as my default MIDI player, so whenever I click on a MIDI file, it will open with Cakewalk. This way I can edit and save the file, and look at the notes and all MIDI events while playing.





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